Salon
Décadence was released on the occasion of Neo-Form’s live
festival at the Absintherie Sixtina in Leipzig this year on the 2nd and
3rd of June, a special compilation featuring mostly exclusive and rare
offerings from the five artists involved.
Shava Sadhana begin this compilation with an odd voiceless electronic
patterning of xylophone-like hammering, mottled bass, and percussive trance
dedicated to the Norse tree of life. Following from this comes the organic
ambience of Tho So AA, a watery soundtrack flecked with echoic drifts
and blaring wooden chimes that extrapolates with error-like clipping a
rhythmic backdrop. Sirens squeal and thawed percussion are the peristyle
for the harrowing minimalist industrialism of Echo West with its fugal
demagogue. Folk music strips the unsettling electronics of the first three
tracks as Sagittarius lead with three songs, the first a gentle flute
and piano duet, followed with piano, guitar, and symphonic strings, proving
a counterpoise with its strata of light. The Imperial offerings of Rose
Rovine e Amanti bring folk from the languid forests of Sagittarius to
more traditional neofolk, guitar and vocals, supplemented with flayed
whistles and the kiss of bells, before the final track that features on
the recent Rituale Romanum from Cold Spring Records [read
review here]. Finally Shava Sadhana come full circle to finish off
the compilation, now blending spidery guitar and suppurating synth, the
near-monotone vocals growling before the last track scrambles scenes of
soiled instrumentation and pupating rhythms.
This compilation is no CDR, and comes with full colour four page booklet
and silk-screened disc featuring the poster work from the two-day event;
art nouveau stylism. A printing error incorrectly lists the tracks on
the CD’s glossy cover, but thankfully a corrected sheet is included
for the listener.
NYR
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