There
have been some great releases on Hive
since its inception last year, and this new compilation, sandwiched between
a Japanese rope-bondage shot and some quite lovely macrophotographic images
of bees collecting pollen, indicates that the trend is to continue. Hive's
roster of album releases so far reflects a fairly small family of artists,
but surprisingly, not that many of them are represented here. Pneumatic
Detach kick things off with an exclusive rhythmic-noise stomper, Exclipsect
lend us one of the more laid-back tracks from their recent split CD with
Kaebin Yield, Censor present a new tune and Manufactura have remixed Converter's
'Stand Beside Him'. These aside, none of the remaining 12 tracks
feature bands from the Hive stable proper, despite recent releases from
Kaebin Yield/Duncan Avoid, C2, and Tekniq, and several others in the pipeline.
Perhaps it would be more accurate then to see this anthology as a plea
for diversity and energy in the dark electronics 'scene', rather than
a label sampler as such, and the mini-manifesto on the front cover would
seem to support this. Appropriately then the tunes on offer are diverse
and, by and large, energetic. Leading the field on both fronts is 'Everybody
Dance!' by Concrete Cookie vs. Incredibad - where these loons came
from is anybody's guess - an inspirationally sardonic fusion of noisebeat,
hip-hop and disco. I kid you not. Back in more conventional territory,
there's plenty of other dancefloor-friendly material here. Unter Null
for example contribute a slice of nouveau-EBM noised-up by Terrorfakt,
Railgun sleaze into action with a grimy, dubbed-out groove that would
sit well next to Techno Animal or 2nd Gen, and Iszoloscope, who have been
getting everywhere recently, are reliably banging as fuck.
While there is plenty of material here for industrial club circuit, there's
a nice selection of tunes for those hazy mornings after too. The lovely
'Paperdress' by 32nd Kalpa & Leaf would have been called
triphop a few years ago, before that term fell out of the limelight; instead
let's call it a melancholy instrumental, with enormous drums reverberating
around lo-fi guitars and violins. Muted Logic will give a warm fuzzy feeling
to those of us who find the likes of Pan Sonic relaxing, and there's even
a touch of jazz at the end from Mago. Honourable mentions must go to the
surprisingly downbeat remix of 'Havoc 2027' by HIV+, and to VectorScope's
brief dark-ambient interlude. Spanning a wide continuum of styles from
cold hard electronic purism to warm strings and simulated record noise,
FUCK does a grand job of mixing familiar names with new faces, and is
full of pleasant surprises. Stick it on at your next party and impress
your scene-and-herd mates with your erudite eclecticism.
ABC
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