|
While
Angels Watch – Utopia
Lady Morphia – In Ewigkeit
Dies Natalis – Friendship-Adrago Beach
Darkwood – Torn Nation
Sonne Hagal – Europa Aeterna
Camerata Sforzesca – Salve, Mundi Domine, Caesar noster, Ave (live)
Decadence – Lacrimae
Karnnos – O Bosque do Limiar
Reutoff – four lines of the sun
|
After
six years, the French and Swiss online web magazine, Heimdallr has called
it quits, but not before delivering a recherché of exclusive tracks
from a roster of the more well known dark neo-folk acts of Europe. The
compilation album features specifically-composed-for-the-event tracks,
proffered by the folk neighbours, upon the motto of the magazine, Europa
Aeterna).
While Angels Watch’s corroded ballad to a European 'Utopia'
is a hoarse reminisce of refined taste, an excellent launch into the thematic
paeans. More wistful and listless is Lady Morphia’s contribution,
condensed in sparkling guitars, dominos of flute and bass melody.
Lament and dulcet male/female duet from Die Natalis is next, with its
pop brilliantine, a contrast to the more forested haunt of Darkwood, a
varnished copse of mummified trees and the tune that sings of it. Sonne
Hagal’s metal encrusted inflections gutter and wallow in dark pits
that echo with the clamour of steel, strange ululations and liquids, from
dark to sinister. The flip side heralds on a pantheon of horns, Camerata
Sforzesca, the only live track, but a treat nonetheless being recorded
with a choir of five operatic vocalists from Modena, at first a recitative
it ends into mock-martial style. The pizzicato of the strings and the
carnivale-esque waltz of Decadence’s Lacrimae blares before a herald
announces a play of verisimilitudes. Derelict halls and buildings are
Karnnos’ contribution, spoken word mixed with memories of lutes
lost in subtle droning noise. This descent finally leads to the hells
of Reutoff, a militant march through layers of death and decay.
The vinyl release is limited to five hundred copies, featuring the stark
and morose photography of Peter Bengsten, on chunky black audiophile,
the stereo quality of which is a testament to aestheticism with a consideration
to deliver an unique ‘Various Artists’ manifesto.
NYR
|