The
horse fixated "Pony Puree" EP is a collection of original tracks
and remixes of the opening loop by assorted noise artists. Patrick Urn,
otherwise known as the wonderfully named Syphilis Sauna, releases "Pony
Puree" following a series of compilation, EP and full-length releases
(mostly on his co-owned Backwards Records imprint) from 2000 onwards.
Starting with 'Horse Filth Loop (Original)', which forms the
basis for the remixes included in this EP, Urn contributes 3 other tracks/remixes
of his own to the release. 'Horse Filth Loop' itself is basically
42 seconds of fairly abrasive noise that has been offered to collaborating
artists to remix for the EP. Nova Sak basically take the screeching haze
of noise and add more static drenched layers to form a dense low crackling
drone. Urn's first contribution - 'Angerpony' - starts in the
same way but soon heads in another direction, taking some of the weird
alien vocal elements of the original and adding huge pounding industrial
bass to liven things up. DJ Lamp's remix starts all manic but soon breaks
down into elastic breaks and smooth moody electronics while the very short
Koma Fuzz rework concentrates on dark subterranean drones. Urn's second
track, 'Gluefac', again revisits the huge industrial rhythmic
pounding of his first track but heads in a slightly more fragmented abstract
direction. XISIX's remix focuses on a patchwork of diversely amusing yet
appropriate samples and nightmarish screeches over an urgent heart-like
beat. Closing the EP is Urn's final and shortest track, the still more
abstract and fractured 'Spasmpony'.
Described by the label as "deconstructed glitch sound and trashtronica",
Urn's music ranges from glitch noise to rhythmic industrial dark ambience.
Most of his music falls in the latter category but lapses into the former
as it gets more adventurous and experimental. This is evident across the
3 tracks on this EP that get increasingly broken and random as the end
of the EP approaches. Of the remixes, DJ Lamp's is probably the most adventurous
given the source material although Urn's own tracks stand out as the most
accomplished of the set.
PRL
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