Born
out of the ashes of Seda E Marg, "Frashogard" is the
first release for Coup
d'Etat Communications and marks the end of a two-year silence from
the renamed Sedaye
Marg, previously
on the Mechanoise
label.
"Frashogard" [or 'renewal'] begins as it means to go
on. "Lion and Sun" is a dark, intense, filmistic joy
to behold with grinding, clawing samples, echoing horns and rhythmic layered
percussion. "Cinema Rex is Burning" is a more up-tempo
affair, reminiscent of earlier industrial forays with reverberating, oscillating
percussion and an all-consuming backdrop of dense rhythmic noise. "The
Guard of the Immortals" is a more reserved track yet still heavy
and reverberating. I'm afraid I didn't like the keyboards in this track,
very simplistic and seem to belittle the rest of the track. "As
Ctesiphon Fell Again" is a fantastic piece: throbbing harsh
electronics with an intense backdrop of clattering noise throughout, getting
more chaotic towards the close. "Summer of 1953" provides
a dark, swirling, ambient respite with Persian themes becoming more evident.
Then on to "Betrayal of an Architect" - another fine
aural assault, this time more militant in nature with sharper rhythms.
"Governed by Fear" mixes heavenly echoing female voices
over an ambient soundtrack with mechanical punctuations. "Operation
Karbala Five" has distinct eastern traditional voices accompanied
by hard electronic clashes. "Exile" is a sensory exercise
with some piercing samples and melting, evolving rhythms and quiet moments.
"Every Day is Ashura" starts off quietly then builds
with fluctuating distortions and prominent eastern percussion. "Red
Tulips Will Blood from our Blood" is very similar to "Every
Day is Ashura", if a little darker and noisier. "Esfehan
Steel" is similar to "Cinema Rex is Burning"
but more metallic in constitution. "Pahlavan" is a
heavy repetitive piece with little abandonment, which drops straight into
"Frashogard", the last filmistic moments of the CD
with distorted, echoing vocals and strings.
Some of this is difficult listening; but with each intense, reverberating
adaptation, it proves to be a very strong release. Would definitely appeal
to fans of Muslimgauze,
Inade or Sophia.
Surely one of the finest releases of 2003.
JLM
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