Runes
and looms, the desolate energy spun by Ruhr Hunter, solo project of Chet
W. Scott, is at once compelling as it is disturbing, interlacing brooding
ambience, environmental recordings, and neofolk sinews into wefts that
bring freshness to the fabric of dark ambient music. For the most part
every instrument, every audio nuance, every echo is a natural distillation
and the liner notes in the booklet disgorge the array of recorded sound;
antique autoharp, ocean hiss sample, bowed psaltery, voice, boomerang,
hammered dulcimer, just to mention a few.
The composite parts of Ruhr Hunter remain a haunting joy, from the - dare
I say (and in a good way for those who remember the mournful echoic guitar)
- Diablo-esque ambience of ‘Wounded by my own blade’
one is soon supplanted into the lull of mesmeric soundscapes where mutability
glimmers a world while ever-changing palpable. The aural landscape is
vibrant, metallic squeals keep pace to while tides of noise undertone
the angular instrumentation that craves constant examination, striking
oriental modes of disparate, free form melody unearth convergence where
taken at individual assessment are seemingly from different ground. Never
once is the listener droned into hypnosis, rather the undulation of elemental
panoply musters a dream that the listener soon finds themselves irrevocably
enraptured. While most dark ambient and experimental work shies from organic
instruments, especially when multi-layered, Ruhr Hunter evokes innovative
moods from non-electronica with surpassing results that will make you
wonder why it is not more commonly employed in the genre. Clocking in
at well over an hour "Torn of This" is well worth the space
on any CD shelf.
The presentation of the album is sumptuous. Thick, gloss booklet and tray
are replete with the oil paintings of Stephen Kasner, aged and sepia-toned
exquisiteness. The four-paged booklet features all instruments used on
each track.
NYR
|