Although
I have not heard the entire recorded output these French projects, I have
at least heard an album, or few tracks from each. And given the strength
of PPF’s LP released on StateArt in 2000 I was expecting rather
big things from this LP. With respect of this particular release it constitutes
a part split & part collaboration, where the LP contains 2 tracks
by PPF, 4 tracks by ICK & 4 collaborative pieces between them both.
Things start off promising enough for PPF with 'la grande colere',
a track with sweeping analogue textures, mutated distortion & agitated/
flanged vocals. Managing a quite straight forward power electronics sound,
things get more interesting when a funky, almost reggae styled programmed
rhythm kicks in - by all rights this should not work, but it does! Yet
as PPF’s second track amounts to little more then a minute speech
sample with underlying industrial noise, it does not warrant a greater
mention here (lets just call it an outro shall we?).
As for ICK’s 4 tracks, these follow a rather an old school analogue
rhythmic industrial style with the obligatory monotone, effects treated
vocals. Yet as they are all relatively simplistic & straightforward,
for me they really lack the brute force and visceral anger that makes
such fare really come alive.
Moving onto the 4 collaborative tracks on the flip side, these seem to
contain more of ICK sound then PPF given the heavily reliance on programmed
analogue rhythms. Likewise rather then the tracks becoming more then the
sum of their parts dual to dual project input, the actual opposite occurs
where the tracks sound bland and formulistic.
To cut to the chase this LP simply does not live up to my rather high
expectations. I guess my issue with this is that it really amounts to
that this type of music has been done before and a lot better –
even by the standards of the projects themselves. To conclude this is
really a release for extreme fans and fanatical collectors.
RJS
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