As
Jesus said whilst on the cross: ‘What a way to spend fucking Easter.
Hanging around admiring the local fucking view.’ Well bearded son
of God fella I’ve got a far better way to pass my time over this
holiday period. I’m into selfish indulgence where I’m going
to chill out with my music and let my current worries and woes fade into
the background. One of the records I’ll be listening to is this
split CD on the God is Myth label. The last CD I heard by New Risen Throne,
actually the only other CD I have by the Italian artist Stielh, was the
"Chants for the cold and dying sun" [read
here] released on, funnily enough, God is Myth label. I even bummed
this up in a review on this site. Exceptional I called it…and exceptional
black ambient it remains to this day.
On this recording he presents three new tracks, totalling 30 minutes,
of pitch black tar ambience. By building on the facets and elements that
worked within his previous work, if it ain’t broken don’t
fix it, Stielh has once again produced the goods. Utilising the usual
array of submerged echoed sounds and vocals and wrapping them in the densest
electronics imaginable the music chills to the marrow. The whole idea
of dark ambient music is to transport the listener into a fantasy realm
of darkness and decay where the prevailing foreboding sense of danger
and death is just a stones throw away. Stielh translates this journey
through his music in a manner that is quite heart stopping in its effect.
I may have overused the word exceptional in describing his music before
but never has a word encapsulated everything so concisely about these
pieces.
Cruel Harvest on the other hand is an unknown quantity. The four tracks
on this CD are the debut recordings from this USA artist and having to
follow NRH is no easy task. The music of Cruel Harvest takes a slightly
different path and approach to NRH. On the first track he gentle lures
the listener into a false sense of security with a slow build up using
drones and piano before adding the effects of a prevailing storm gathering
in the distance. The tension of the sounds are cleverly masked until its
too late to escape its icy grip. By track two he introduces further musical
styles into the mix making the music fluctuate in different directions
whilst still retaining the dark ambience that dominates proceedings. Track
three has a more experimental organic quality to it which came as something
of a surprise to these ears. The music simmers slowly, never fully reaching
a climax, instead content to fade away as though it never existed. The
last track continues along the same lines but here he’s included
a notable upturn in heightening tension that barely registers but is all
to prevalent. Slowed down when least expected it stops suddenly leaving
only silence to digest. The debut tracks by Cruel Harvest show a promise
of better things to come from this artist and it will be interesting to
hear how he develops through future releases.
In conclusion it will be the NRH tracks that will ultimately sell this
CD but the music of Cruel Harvest shouldn’t be ignored. Both artists
have contributed great music worthy of your attention.
ANM
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