"Made
Into Itself" is the debut release by Dallas-based producer Steve
Wick in the guise of Leaf. The album is also the inaugural release of
new Hive Records sub-label Suspicious Records and is limited to just 500
copies.
Wick's music embraces the interesting, although not entirely new, concept
of sampling and "borrowing" soundbites from strange recordings,
TV programmes and other music or spoken word sources. Utilising anything
from sampled quotes to entire passages of music, sampling them and adding
laidback trip-hop beats and dubby instrumentation Wick forms something
new and creative. Similarities with "Mezzanine" era Massive
Attack, Tricky and particularly DJ Shadow are all relevant in this genre
of creating new music from old. Sources as diverse as Chinese mandolin
and 70's folk music are used alongside carefully chosen movie quotes and
occasional hip-hop musings.
Besides exhibiting an air of cool confidence throughout, "Made Into
Itself" also shows a sense of humour and a more serious topical side
through the mood portrayed by the music, the careful selection of appropriate
samples and the vocal accompaniment of several collaborators. At times
"Made Into Itself" is chilled out and relaxed, almost ambient,
as with the smooth bassy breaks and ethereal female harmonies of 'Light
Blue Morning' or the appropriately glitched up floating ambience
of 'Glitch Exercise;. The Recoil-esque 'Coffee Drinker'
is darker and moodier but tracks such as 'Full Booklet' and the
dubby 'Nonsense Went' better represent the slick beats, breaks
and hip hop influences evident throughout. At the other end of the scale,
Wick also chooses to tackle such controversial and thought-provoking subjects
as social attitudes ('Sevenhundredeightytwo Ways to Wake Up'),
racism ('Intelligent Design' - the closing lyrics of which give
the album its name) and religion ('Lounge Dwellers'). Don't let
this put you off however, as "Made Into Itself" is a beautifully
constructed, ever evolving and consistent album.
PRL
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