In
the realms of medieval music, Estampie stand as a palpable symbol of the
resurgence in the antiquated music, brought to the fore with precision
and a musicianship that only a few bands can continuously refine. This,
their eighth album in nearly two decades, while not the standout of their
discography, will further cement favour in loyal and new aficionados alike.
Coiled around the sublime voice of Syrah (Sigrid Hausen) encircles the
prodigal talents of Michael Popp, et al, eliciting the romantic strains
of the medieval music with a vast repertoire of traditional acoustic instruments,
horns, flutes, lute, lyre, harp not to mention a vast array of percussive
instruments. The music breathes fast and slow, alternating in moments
of choir lilting the heavens where instruments surrender to the grace
and soar of Syrah and the hill of backing voices raising her ever higher
to moments of saltant (profane/pagan) dance of men and woman pirouetting
in the glow of bonfire deep in woods. Horns sinuously snaking intricate
patterns in the allegro of hand tapped drum recall the cross-world qualities
of Estampie, invocations that blend seamlessly into this conceptual album
of life and death before the weight of a world short on time.
NYR
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