Decadence
releases its third offering, though first full length with Cold Meat Industry,
a panoramic passion-play of palpitations that recrystallises the pheromones
they so exude for the absorbing listener.
The furnishment of love and sex and death, all sides of a coin (including
the edge as third dimension), are the rubicund currents of Decadence’s
lyrical and melodic content that pour through the proffering fingers of
the Grecian pair, Petros Sgardelis and Ephyrosyne Papmihalopoulou whose
voices give the mean of their emotive reflections. For the most part,
Sgardelis bespeaks only litany, clear spoken words in counter to the sublime
silk of Papmihalopoulou airs. Small chamber orchestra surrounds
the duo with alternations of lush acoustic guitar arpeggio and chordal
flourishes, liquid piano delicate and filmy, with the music softening
and dolorous to the senses for the most part, with the remainder corrugated
ebullitions of martial orchestra that sharpen edges; the listener cannot
help but be alerted.
The album is another delicious presentation from Cold Meat Industry, with
an expansive twelve page booklet with liner notes and lyrics set amidst
terraces of aesthetically prepared nude photography.
NYR
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