Although
knowing that Cornucopia have been around for quite some time, in light
of the absolutely huge number of underground acts out there, there are
some that will always get overlooked. For me Cornucopia were such a project,
however as this release represents the project’s first foray onto
the CD format it is fitting that it is the first material I have heard
from the duo. Hailing from Puerto Rico this is hardly a common place that
leaps to mind when considering experimental sound art projects. Yet despite
this potential geographic handicap they have still managed to tour Europe,
where this particular piece of music was constructed and recording on
the road of their 2001 tour. “.C.” is the fruits of those
recordings, with a single track with a length of 37 minutes.
With the resultant composition, it consists of a numerous sections that
span a wide variety of elements: clinical electronic textures merge into
droning spheres and further traverse into darker & more ominous territory.
Likewise selected calmer sonic textures at the mid point of the composition
seem to allude to field recordings being utilized as source material.
This is before the sound pushes though to a dense industrial noise framework,
to just as quickly cut back to an aspect of calm and relative quiet, with
what sounds like treated samples of water lapping at a lakes edge.
In all its complexity “.C.” this is a varied & intense
recording that accurately highlights the project’s technical knowledge
and skill.
As a complimentary addition, the release comes with a bonus CD of remixes
from 14 sound artists. With contributors spanning the globe and producing
a diverse take on the sourse recordings, it forms pretty much a full release
in its own right. Without reviewing each track in detail, the remix CD
features some recognized names (Ultra Milkmaids, David Wells, Francisco
Lopez), with the rest I have not come across previously (Omei, Needle
& Sony Mao, Lasse Marhaug, Black Sand Desert, RGV, TV Pow, duul_drv,
Andrew Duke, Kim Cascone, Critikal & Zanstones). As such the majority
of the pieces are respectful of the source material, thus traversing drone/
experimental and/ or sound collage styles to create a fitting sister album.
RJS
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