The
Italian dark rock pageant return from a four year absence since the luxuriating
"A Calling To Weakness" to new territory with a tangible shift
in direction; without removing the core of what has defined their sound.
The once noticeable fealties to dark rock and the similar eeriness of
Fields of the Nephilim, "The Nephilm" album while still apparent
have evolved into more ambient forestation.
Dark ambient vignettes spot "The Unsaid Words", embryonic slivers
of indistinct and shivering winds and drones, decadent memorials where
strobe remote exotic instruments and spiritual and tremulous chanting
are present nearly every other track, and these are not short diatribes
of experimentation either, most reaching lengths of three to four minutes
in length. This is not to say there is interrupt to the skeleton of guitar,
bass, drums, vocals and synth of Canaan’s earlier work, rather the
dark ambient provides cartilage, but the figure is still skinless, raw
with sensation and feeling. Languid percussion unseals the fluent mourning
march while the guitar ripples over the sheen of strings with their inherent
Orientalism, all to fuel the voice of Mauro who effortless weaves melancholy
amid melancholy. Song structure differs, with more breathing space, with
tracks crashing like rose-tinted crests upon barren shores rather than
the endless motion of the ocean’s swells.
"The Unsaid Words" is a gem of an album and if you at all enjoyed
"A Calling To Weakness" you will find another to love.
NYR
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